Making a Low Whistle

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William_Montgomery

Full Member
Dec 29, 2022
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East Suffolk
I thought I'd have a crack at making a traditional low whistle this weekend, (a larger version of an Irish/tin whistle, but lower in tone).

I found a nice looking piece of spalted elder which seemed a good size for the project.
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First step was to hollow it out. Not having an auger, I used whatever was to hand. A modified carving fork, a skewer and some doweling wrapped in sand paper did the bulk of the work.
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Then make the fipple/blade. It looked all right at this point, unfortunately I was tempted to adjust it later on and ended up making the hole a bit too big.
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Create a notch at the top for the air to travel down and carve and fit a dowel for the mouthpiece.
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Once the mouthpiece is done and producing a decent tone, it needs to be tuned. Slowly remove material from the bottom until you hit the desired note. In this case F.
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Then place and tune the finger holes. Start from the bottom and widen each hole until you get what you're after. This one is tuned to F Major.
I positioned the holes as you would get on a flute.
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A final sand down and oil and it's good to go.
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This was a first attempt. The sound isn't as clean as it could be and the walls are a bit thick. But it plays a tune and spans a couple of octaves. All in all, I'm pretty happy with how it turned out.
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If you are getting two octaves you are doing very well.

The wall thickness may affect the tone but it won’t affect the fundamental note as long as the exit from the fipple is not restricting escape to outside pressure.

Looking at pic #5 I can see a whisker of swarf in the wind-way. That might be breaking up the flow to the blade.

Your upper notch is deeper than I would make but again it shouldn’t affect the production of a clean cycle. If in doubt and it matters enough AND if the block comes out easily try a thin piece of card tight in the notch. It’s not any sort of permanent fix but if it changes things for the better just for a few breaths then at least you have information.

It looks lovely.
 
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Neat.
How do you decide on the finger hole positions?
I used a method for making flutes. Take a measurement from the sound hole (on top, where the blade is) to the bottom of the flute/whistle. With that as your overall measurement, you then work out percentages to place the finger holes.

The first percentage is the distance from the bottom of the flute to the centre of the first hole. Each percentage after that is the distance measured from the previous hole.

1st hole - 17.8%
2nd hole - 7.5%
3rd hole - 5.9%
4th hole - 9.8%
5th hole - 6.9%
6th hole - 6.9%

This is just how I did it, but I don't think it needs to be that precise. You could probably be fairly free with it.
 
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That’s interesting.

I tend to space them evenly for each hand. The gap between hands of course isn’t critical for reach.

I haven’t made a ditonic (do, ray me fa so la te do) for quite a while. I used to make most of them from bamboo.

These days I make five hole flutes. They are either typically 1st Nation flutes (pipes) or a hybrid version that I’ve developed myself.
In either case the hole spacing is simple fractions of the fundamental (foot to back of window.). As you say, it’s not critical, you can always alter the size of the hole.

This was interesting

 
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@forrestdweller
Take a look at the local instruments wherever you are.
Play your own music. Don’t try and play tunes you’ve heard before.
Play as if no one is listening - most of them aren’t most of the time anyway.
 
@forrestdweller
Take a look at the local instruments wherever you are.
Play your own music. Don’t try and play tunes you’ve heard before.
Play as if no one is listening - most of them aren’t most of the time anyway.
the only (indigenous) instrument of this area i know of is a whistle made from the seed of the "corazon de mono" vine (=literally "monkey heart" due to their shape)
to like the local music you have imho to be brain dead...
 
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